![]() Picasso, who had been taken to the Malaga bullring from an early age, was an avid follower of bullfights and after moving to Provence would often travel to the arenas of Arles, Nîmes or Vallauris to see them. The bullfight was a subject Picasso returned to frequently, particularly from the mid-1950s, and also one of his favorite spectator sports. the irresistibly evokes the sexual ride.’ (Michel Leiris 1960. rider is, with the final thrust, the main moment of the bullfight. ![]() In the introduction to the Galerie Louise Leiris exhibition catalogue, the ethnographer and writer Michel Leiris wrote: ‘An heroic minute, the meeting between bull and the. They were first shown at the Galerie Louise Leiris, Paris, at the end of 1960, together with other subjects inspired by Spain.īullfight Scene illustrates a dramatic moment in which the picador spears the bull as it charges, while the matador stands in the background, ready to step in for the final phase of the killing to begin. The drawings depict different moments and protagonists of the bullfight, from the banderilleros trying to spear the bull with their banderillas (decorated barbed darts), to the horse-riding picadores attacking the bull with a long spear to weaken it, and the matador, the star bullfighter who engages in the ultimate death of the bull. Thirteen of these are ink wash drawings while one (number thirteen) was made in pastel, India ink and wash Picasso dated, numbered and signed all of them. ![]() Executed on 25 February 1960, this is number ten of fourteen drawings on the theme of the bullfight that Picasso made on the same day. Paul Mellon, 85.Bullfight Scene is a brush and ink drawing on paper made by Picasso in the château of Vauvenargues, near Aix-en-Provence, where he and his partner Jacqueline Roque had moved in 1958. Paul Mellon, 85.795 Théodore Géricault (French, 1791-1824), Mounted Jockey, ca. Pablo Picasso (Spanish, 1881-1973), The Horse, 1901, crayon and ink on paper, sheet: 3 1/2 × 5 1/4 in. University of Mary Washington, Fredericksburg The National Sporting Library & Museum, Middleburg University of Richmond Joel and Lila Harnett Museum of Art ![]() Participating students will present their research at the opening symposium at the University of Richmond on March 2. Students participating in the intercollegiate seminar were from Randolph-Macon College, the University of Richmond, the University of Virginia, the University of Mary Washington, and Virginia Commonwealth University. Mitchell Merling, Paul Mellon Curator and Head of the European Art Department at VMFA Jeffrey Allison, Paul Mellon Educator and Manager of VMFA Statewide Programs and Exhibitions and Richard Waller, Executive Director, University of Richmond Museums with course assistant Kristie Couser, Curatorial Assistant for the Mellon Collection, VMFA. The French Horse from Géricault to Picasso is the outcome of an innovative course team-taught this fall by Dr. The French Horse from Géricault to Picasso: Works from the Virginia Museum of Fine Arts explores this subject in detail, with major paintings, sculptures, and works on paper by artists as diverse as Pablo Picasso, Henri de Toulouse-Lautrec, Antoine-Louis Barye, Edgar Degas, Théodore Géricault, and others representing every major movement in French art from Romanticism to Fauvism. Featuring more than 40 works, this VMFA statewide exhibition draws from the museum’s collections including the Collection of Mr. Omnipresent in 19th-century France, the horse was portrayed in every manner and style by all types of artists. ![]()
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